![]() A serial killer film set in the present day could work, because we still have murderers who fit the technical definition of serial killer operating out there, but it's not the cultural phenomenon it once was. There are always logistical problems that attend the making of a period piece, so we might well wonder if aesthetic arguments or nostalgia played a role in the decision.īut serial killers aren't really a thing anymore. Then the producers wouldn't have had to worry about securing all those vintage cars and wouldn't have had to be careful about shooting around cell towers. She observed that there didn't seem to be any reason it couldn't have been easily updated. In her piece about the film that ran in this newspaper last week, Courtney Lanning wondered aloud why the film was set in 1990. He probably knows that better than anybody. ![]() Hancock had a germ of a good idea but he ended up with an ordinary movie. It features three Oscar-winning actors and some nice cinematography, but the longer it goes on the less any of it seems to matter. I enjoyed-or at least maintained an interest in-the movie, but wouldn't necessarily recommend it. ![]() This doesn't mean that anyone is saying it's as good as these movies, it's just that if you're familiar with those films, this one might remind you of them. Some of the kinder reviews have compared it to some films from the era it depicts-its opening scene echoes one in Jonathan Demme's "The Silence of the Lambs," and David Fincher's "Se7en" has also been suggested as a point of comparison. If you read anything about the movie, you're likely to learn that it is a period piece set in 1990, and that director John Lee Hancock wrote the script in the early 1990s. It stars Denzel Washington, Rami Malek and Jared Leto, and it's about a deputy sheriff (Washington) and a Los Angeles police detective (Malek) who team up to try to catch a serial killer (possibly Leto). A movie came out last week called "The Little Things." ![]()
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